TV Show of the Year 2018: Final Space

I had a few contenders for my TV Show of the Year. Both Bojak Horseman and Crazy Ex-Girlfriend had new seasons, and there are always amazing new shows coming out. And then, right at the end of the year, The Haunting of Hill House came out and blew me away. I mean, I was and still am angry that it did the lazy thing of buying the rights of the book just to use the title to draw people in (it is nothing to do with the novel) but the series itself was amazing.

But in the end I’m picking Final Space as my TV Show of the Year 2018.

Final Space

This is one of those shows that surprises you. Like Bojak Horseman you go in expecting little more than a fun, lighthearted animation, but by the end of the first season you realise you’ve been tricked into watching something deep, filled with intelligent plot and complex characters.

If you give this show a go, you need to push through the first couple of episodes until the style clicks. At first the protagonist comes across as not as funny as he’s trying to be. A little too zany, seemingly throwing around jokes that don’t quite hit. By after a while you realise they’re not meant to be jokes. It’s not him doing a “bit”, but just his personality.

I’m not saying that it’s the greatest show ever. There have been ones this year that have been more complex, worthy, epic, or emotional. But Final Space gives an experience that subverts your expectations, making what you think will be a simple cartoon sci-fi programme and giving you character depth and plot complexity that you just weren’t expecting.

Plus, if you don’t fall in love with Moonpie then you have neither and heart nor a soul. And that’s just sad.

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I have a Moonpie cushion, because my wife knows how to buy good birthday gifts!

My 2016 TV Show of the Year

This year, I’ve decided to post a few of the highlights I’ve come across in 2016 to share with you all. They won’t necessarily be things published or released this year, but will all be relatively recent works that I – at least – discovered in 2016.

 

This one gave me a little difficulty. We all know that we’re in a so-called “Golden Age of Television”, and as much as that phrase is tired and overused I can’t deny that with subscriptions to Netflix and Amazon Prime I’ve had copious excellent television to get through. By rather than one of the series that everyone’s already raved about online, I’m going to pick one that we started watching on a whim without knowing anything about it and turned out to the be one of the cleverest TV shows I’ve seen in a long time.

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On the day Rebecca Bunch is finally about to reach her lifelong goal of being made a Partner in a prestigious New York legal firm, she is suddenly struck by just how miserable she truly is. Then, mid-breakdown – she runs into an old boyfriend. Releasing that the time she dated him – for just 3 months one summer over a decade ago – was the last time she was truly happy, Rebecca drops everything and follows him across the country to win him back.

Crazy Ex-Girlfriend is one of the smartest pieces of television writing I’ve watched in years. While the premise could be one of a thousand bland rom-coms or generic sitcoms, writer and star Rachel Bloom instead created something that’s both a fun musical show and a deep look into the divide between what society has taught us to think we want and what we actually need.

Rebecca drops a high-flying legal career to be with the boy of her dreams. Why wouldn’t that be the right thing to do? They had a Meet-Cute on the day she needed it the most. That’s what television and movies have taught us; that our fairytale will come true if we just believe enough to fight through all obstacles. Why should it matter that she’s stalked him across the country? Or that he’s been with the same girlfriend for fifteen years? Or that her actions throw the lives of so many people into chaos? It’s meant to be!

Ultimately, this show is about the delusions we build for ourselves to hide from the truths we don’t want to face.

While also being a light-hearted musical.

Did I say the writing on this show was really clever?ceg1cast3_0509ra-max-620x600

It’s the layers to the characters and the plots that make this show unmissable. They’ve managed to avoid or subvert every trope in their path, without a single lazy path taken. If two characters have an ‘amusing misunderstanding’, rather than stretching that out for an entire episode they will talk it out and focus instead on the underlying issues. We’re introduced to characters such as “the boss who wants to be everyone’s friend”, or “the controlling bitch girlfriend”, or “the love interest”, but as the series progresses you see how none of them are solely defined by these labels. You also see why they are this way. Why does the boss so desperately want people to like him? Why is the love interest’s girlfriend such a controlling bitch? Why does the love interest stay with his girlfriend even though she’s so unpleasant and demanding? And, most impressively, all of them change and grow in a way that suit the character rather than the longevity of the show. Or getting preachy.

Basically, if you’ve not caught this show I cannot recommend strongly enough that you do. It’s currently half way through its second season, and you won’t find many shows so that subvert television character tropes so well.

 

Because there’s only one real choice

There are many movie adaptations of A Christmas Carol, but only one that you have to watch each year. 

Likewise, there are hundreds of Christmas movies we watch again and again every year. We all have out own traditions. But there’s only the one that you have to see each year. 

It’s very useful that it’s the same film. 

How about you? Disagree? What Christmas films do you really have no choice but to watch each year, whatever happens?