Recommendation: The Johnny Maxwell books

I find it strange how there are some of Terry Pratchett’s books that tend to get forgotten. Maybe people have come to blend him and the Discworld so much that his books outside that series don’t get the same recognition? Or maybe they just aren’t aware of them? But, as a whole, I believe his children’s books don’t get the recognition they deserve.

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The Johnny Maxwell books are examples of these. Only You Can Save Mankind (1992), Johnny and the Dead (1993) and Johnny and the Bomb (1996) tell three separate stories about Johnny Maxwell, a boy who seems to have a ability to see through the world into something more; whether it be entering a computer game while he sleeps to save the aliens from the players, speaking with the ghosts of the dead to save their graveyard from destruction, or travelling back in time to the Second World War.

I’ve always felt that Pratchett had a real knack for children’s books. He was able to take the ideas and themes found in all his work and streamline them for a younger audience. Rereading them now I find it a little odd and oversimplified, which is maybe why they are overlooked, but as a child I remember them being incredibly real. They felt like adult books to me. I was already reading the Discworld novels at this point, but I know now that a lot of the details went over my head.

I prefer the Bromeliad Trilogy (Truckers, Diggers, and Wings) (a separate series, but there are enough connections to assume these two series are in the same universe) but I’ll always have a soft spot for the Johnny Maxwell books. If you’re a fan of Pratchett but not given these ones a go, I highly recommend it. 

For the record, Johnny and the Bomb is my favourite.

One final point: having been introduced to these book through the audio book versions I cannot read them without hearing the words in Tony Robinson’s voice. I don’t get that with the Discworld books. There’s just something about these three that sticks in his voice. Weird how that happens. 

Review: A Blink of the Screen

I can never quite get my head around Terry Pratchett doing short fiction. I don’t know why, but for me he’s a long form writer. That’s not to say anything in this collection is bad, far from it. Possibly its because he books usually have so many layers and meanings and shorter fiction doesn’t really have time for these. Pratchett himself says – in his notes – that he found short fictions hard to to, so maybe he thought the same thing.

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So reading A Blink of the Screen is enjoyable, yet slightly weird. We’re in that strange place where you’re defining each work as inferior to his full novels, but inferior Pratchett is still superior to most writers. I think, if I had to put my finger on it, the issue I have is all of them feel like rough ideas waiting to be developed. As if Pratchett was simply putting down an idea on paper, fleshing it out a little bit with the intention of coming back later. I couldn’t help feeling like there was more there somewhere.

The most obvious example of this being that one of the stories in this collection is almost literally a synopsis of Truckers. Each of the other stories feel like they could be the same.

I did love the longer Discworld story, The Sea and Little Fishes though. That was a wonderful stand alone Granny Weatherwax story that could have been a subplot in a larger book, but actually works well on its own and made me want to pick up one of the older Discworlds that I haven’t read in a while.

I really enjoyed reading this collection, more-so than I did it’s companion collection, A Slip of the Keyboard, which collects his non-fiction works. Pratchett was never an author lacking confidence, style, or ability. But reading through this collection is an interesting way for a fan of his work – which should of course be everyone – so gain a snapshot of how his writing developed.