Recommendation: The Johnny Maxwell books

I find it strange how there are some of Terry Pratchett’s books that tend to get forgotten. Maybe people have come to blend him and the Discworld so much that his books outside that series don’t get the same recognition? Or maybe they just aren’t aware of them? But, as a whole, I believe his children’s books don’t get the recognition they deserve.

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The Johnny Maxwell books are examples of these. Only You Can Save Mankind (1992), Johnny and the Dead (1993) and Johnny and the Bomb (1996) tell three separate stories about Johnny Maxwell, a boy who seems to have a ability to see through the world into something more; whether it be entering a computer game while he sleeps to save the aliens from the players, speaking with the ghosts of the dead to save their graveyard from destruction, or travelling back in time to the Second World War.

I’ve always felt that Pratchett had a real knack for children’s books. He was able to take the ideas and themes found in all his work and streamline them for a younger audience. Rereading them now I find it a little odd and oversimplified, which is maybe why they are overlooked, but as a child I remember them being incredibly real. They felt like adult books to me. I was already reading the Discworld novels at this point, but I know now that a lot of the details went over my head.

I prefer the Bromeliad Trilogy (Truckers, Diggers, and Wings) (a separate series, but there are enough connections to assume these two series are in the same universe) but I’ll always have a soft spot for the Johnny Maxwell books. If you’re a fan of Pratchett but not given these ones a go, I highly recommend it. 

For the record, Johnny and the Bomb is my favourite.

One final point: having been introduced to these book through the audio book versions I cannot read them without hearing the words in Tony Robinson’s voice. I don’t get that with the Discworld books. There’s just something about these three that sticks in his voice. Weird how that happens. 

TV Show of the Year 2018: Final Space

I had a few contenders for my TV Show of the Year. Both Bojak Horseman and Crazy Ex-Girlfriend had new seasons, and there are always amazing new shows coming out. And then, right at the end of the year, The Haunting of Hill House came out and blew me away. I mean, I was and still am angry that it did the lazy thing of buying the rights of the book just to use the title to draw people in (it is nothing to do with the novel) but the series itself was amazing.

But in the end I’m picking Final Space as my TV Show of the Year 2018.

Final Space

This is one of those shows that surprises you. Like Bojak Horseman you go in expecting little more than a fun, lighthearted animation, but by the end of the first season you realise you’ve been tricked into watching something deep, filled with intelligent plot and complex characters.

If you give this show a go, you need to push through the first couple of episodes until the style clicks. At first the protagonist comes across as not as funny as he’s trying to be. A little too zany, seemingly throwing around jokes that don’t quite hit. By after a while you realise they’re not meant to be jokes. It’s not him doing a “bit”, but just his personality.

I’m not saying that it’s the greatest show ever. There have been ones this year that have been more complex, worthy, epic, or emotional. But Final Space gives an experience that subverts your expectations, making what you think will be a simple cartoon sci-fi programme and giving you character depth and plot complexity that you just weren’t expecting.

Plus, if you don’t fall in love with Moonpie then you have neither and heart nor a soul. And that’s just sad.

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I have a Moonpie cushion, because my wife knows how to buy good birthday gifts!