Okay, we have a slight discrepancy in the countdown. I’m sure some of you have noticed – though no one mentioned it, so maybe not – that I’ve had my numbers a little off. You may have thought at this point we had 2 whole days left. But we were wrong. We only have today and then the big day is here!
Today I thought we’d look to the future, and the next big holiday season. So with that in mind, I have one more entry from Liam Banks; Season’s Greetings.
The corruption of childhood ideals and beliefs lends itself strongly to horror. The fairytale fantasy that is Christmas gives such a strong vein for horror to tap into.From a modern, adult sensibility, the idea of a someone keeping a watch on you all year round and then slipping into your bedroom while you sleep is a rather unsettling one. I’m always surprised there isn’t more of it out there.
And don’t forget to download your free copy of The Serpent’s Eye from Amazon while you still can. The offer only lasts until tomorrow night.
We have 9 days left in our Halloween Countdown, and as it’s a Sunday and we all hopefully have a little more free time today I thought I’d suggest something a little longer; Vicious by Oliver Park.
There’s so much going on in these 13 minutes, but without any superfluous padding or spelling out of the story. A girl comes home one night to find her front door open. After a search of the house turns up nothing she settles down to sleep, only to be woken first by nightmares, and then something more.
I was surprised by this one. I usually find that the ideal length of short horror films is between 3 and 6 minutes or so. Once they go over that length they tend to lose the tension. Either the core idea gets flabby and the audience loses interest, or it just feels like there is too much going on and they need more time to set every up.
A lot of this goes to Rachel Winters, who manages to pull off the exact balance of terror and proactivity needed to keep us. Another cardinal sin I’ve noticed over and over again researching this list is characters acting scared because they are supposed to, but when there is no reason for them to. (Note to directors, a call coming in with a blocked number at night isn’t scary in itself. Stop thinking it is). Here, the protagonist acts far more like someone might actually react in the situation, rather than acting scared because the film requires it.
So make yourself a cup of tea, turn out the lights and give it a watch.