Recommendation: “The Night Circus” by Erin Morgenstern

It’s World Book Day. I hope you’re all revelling in your favourite reads, or throwing yourself into a book you’ve never read before. Because if there’s one thing that’s just as good as – or perhaps even better than – the joy of rereading an old favourite its that feeling of realisation that the book you’ve just begun is going to be wonderful. That deep happiness of knowing that you will never again get to experience this novel for the first time.

This is what I just encountered with Erin Morgenstern’s The Night Circus.

I wish I could remember exactly who recommend this to me last year, because then I could thank them to directing me to the experience of this read. Sometimes, when you’re trying to describe something, you don’t need fancy words. On these occasions the simple ones will fit better, as they can portray the essentialness of something.

The words that best describe The Night Circus? “Soft” and “Beautiful”.

Le Cirque de Reves moves around the world. It appears in one place as if by magic, opens only between sunset and sunrise, and then after a few days disappears just as suddenly. Decorated solely in black and white, populated by performers and attractions so otherworldly and imaginative that you can barely believe they are real, the experience of walking through the gate is akin to stepping into a dream. And behind all this are Celia and Marcus, two young magicians engaged in a contest to which neither understand the rules or know how or when a winner will be chosen.

Morgenstern’s writing is comforting without feeling worn, and elegant without being pretentious. It has the feel of something new that’s been expertly hand crafted to feel old and comfortable. She doesn’t rush a single word. If you require fast paced action, this isn’t the book for you. The story takes its time, letting the characters and the world grow at their own pace. Without wanting to sound to pretentious, the experience of reading the book has the feeling of exploring the circus itself; leisurely admiring every aspect as it comes until you complete your circuit and finally understand the full layout.

While I was reading The Night Circus I never felt rushed. I never looked at the number of pages remaining to guess how much I had left. I felt completely immersed, to the point where I actually felt sad when I reached the end. If you allow it, Morgenstern’s writing will sweep you up and carry you off out of this world and into its own.

Review: A Head Full of Ghosts by Paul Tremblay

When fourteen year old Marjorie Barrett begins to display the signs of acute schizophrenia, her family’s life begins to fall apart. The doctors are unable to stop her illness spreading, and when her father loses his job the family is soon running out of money, patience, and hope. Soon they reach out to the Catholic Church for help, and agree to participate in a reality television show in order to fix their worries.

Fifteen years later Merry, Marjorie’s littler sister, recalls the events she lived through as a child. As she does so, painful memories and forgotten secrets begin to surface.

I enjoyed this book. I just didn’t love it. There’s nothing wrong with it. The writing is good. The characters are solid. The structure is interesting and the ending, while not mind blowing, is at least interesting and well set up.

The exorcism is a old an favourite sub-genre in horror. Tremblay is aware of that, and works it into the story. He is skilful in the way he makes the reader aware that he knows this isn’t a groundbreaking premise. It’s just that after he’s done this he doesn’t then add anything new.

I went into this book expecting more of the conflict between Marjorie’s illness and the lengths the family went to cope. How both religion and the media seemed like the only options available to them, despite how obvious seems that neither was going to help. In the end it felt as if Tremblay didn’t commit enough in either direction. It needed to commit more to this, or throw itself fully into the standard exorcism plot.

It’s still a solid read, and you could find a lot worse out there. Tremblay is a good writer – aside from some very clunky dialogue in the ‘present day’ sections – and I’ll probably keep an eye out for his other work. I was just left a little underwhelmed by the plot.

Review: Herring Girl

This is one of my “Pick A Random Book I Know Nothing About” purchases, and this time around I had great luck with my selection. Debbie Taylor’s Herring Girl is an amazing book. Almost perfect in fact, if it weren’t for the fact that it manages to disappoint me through its not living up to its own promise. It’s strange when the main thing that detracts from the quality of a novel is itself. That’s how I feel about Herring Girl.

fullsizeoutput_332b

The story is set up with Ben, a 12 year old boy with gender dysmorphia who’s desperate for a sex change before puberty sets in. Learning he has to have a psychological assessment he starts visiting a local doctor who leads him into past-live regression. Together they uncover the mystery of Anne, a young girl who went missing at the turn of the previous century and may, they believe, have been Ben’s previous life.

It goes on to explore the idea of reincarnation and group reincarnation, weaving together an incredibly compelling story and truly beautiful writing. I always take gushing cover quotes with a pinch of salt, but Taylor’s writing is so beautifully researched and realised that it’s impossible not to find yourself immersed in the world of an 1890s fishing town. The passion behind it shines through. I’ve never read a historical novel that managed to so complete put you right there in the immediacy of the period.

But the half of the story set in 1898 is told so well, the present-day sections just don’t keep up. The characters are great, but the story in these parts seems to coast along as a vehicle for the Past Life sections. That’s not to say they are bad, not at all. They’re just not as good as the other sections.

The main thing that bothered me was how the gender dysmorphia plotline fell back the wayside. I thought this was going to be a really interesting story, as it was clear Taylor had done her research and created the character so well that I wanted to know more about this side of them. But as soon as the past-life murder mystery kicks in the original plotline is barely mentioned again until the end.

I also felt that the reincarnation idea and past life regression therapy concept fell into place felt a little too easily. It seemed far to simple for someone to recall a previous life, and the way they were all linked was just a little too easy. The only obstacle seemed to be that certain people didn’t believe in it on principle. It has a lot of similar ideas and themes to Katherine Kerr’s Deverry Cycle, but where in a fantasy novel it’s easier to take outlandish ideas at face value, in a real-world setting I would have expected a little more difficulty.

It definitely picks up again towards the end, and the climax is astoundingly well written and wraps up the story perfectly. But such an intriguing opening and such a emotionally devastating ending, I just felt that the middle coasted along a little too much.

I can’t help but feel I’m being unfair to this book, as I’m only being harsh due to it’s own high standards. But there we are. It’s still a definite recommendation.