Wheel of Time Re-read: The Eye of the World

And Book One of my Wheel of Time Reread is done.

Three thousand years since the world was all but destroyed in the War of the Shadow, the Dark One has begun to stir in his prison. As those aware of such things begin to fear the coming of the prophisied Last Battle for the fate of humanity, Rand Al’Thor, a young farmer, finds himself fleeing his home pursued by monsters from legend. As he and his friends make their way into the world, he begins to suffer dreams that may well mean he is destined to save, or destroy, the whole of creation.

I first read The Eye of the World by the pool in a hotel in Spain. I was on my first holiday with my now wife, and I remember buying it as a whim at the airport. If I remember correctly the quote on the front cover said something along the lines of it being better than Tolkien, and I decided to pick it up so I could properly mock it for such a grandiose claim.

When I got home I immediately ordered Book Two.

It’s not the best in the series. I remember even at the time I thought the story was a little too close to the plot of Fellowship of the Ring. But there was something about it. I didn’t know what at the time, but now I recognise that it was a sense that the world I was being shown was so much bigger than the story I was reading.

Most fantasy books, epic or not, never manage to make it feel that their world is any bigger than the parts we see. The writers flesh out the areas the character travels, but there’s no sense that the world is anything more. As if the protagonist sees everything important, and the rest is inconsequential.

What Jordan managed was to make me feel is that his story is taking place in a small part of something much greater. As is usual in fantasy, the innocent protagonist is pulled from his idilic home into a bigger world. With each step he feels he’s seeing the biggest new thing possible, only to discover even greater still with the next. But with Jordan’s writing you feel there is still more out there.

There is the promise of so much more, teasing a story with a scope we haven’t yet seen.

And there is so much set-up here. The point I always highlight is how there is a passing exchange between two characters, no more than a couple of paragraphs, that set up something we don’t see until around book thirteen. That’s how forward planned these books were. They don’t dwell on it. There’s no “Look at that over there, it must surely be important. One day will will visit that place” dialogue. They just mention is in passing, along with a lot of other things, and let it lie.

So is this book perfect? No. It is a promise of great story to come? Yes.

If you’ve read enough epic fantasy the story won’t be original, but take that as an introduction and you’ll be letting yourself into something amazing.

And on a side note, look at how beautiful this copy is. I can’t remember exactly when this special edition came out. It may have been a twentieth anniversary print, or something to celebrate the series ending. What I do remember is preordering this baby without a second thought.

Now on to Book Two: The Great Hunt.

Review: “Saturn Over The Water” by J. B. Priestley

This one was an interesting read. It’s a bit more adventurous that the last couple of Priestley’s I’ve read. Previous books have had little in the way of real conflict or danger, but this is more of a thriller and while I wouldn’t call the story edgy the protagonist is as at least in danger a large amount of the time.

 

But then it’s a very English kind of danger. There are various points where the characters are on the run and seemingly desperate to get somewhere before the antagonists catch up with them, but they still find time to stop at a nice hotel lunch and a relaxing smoke before carrying on.

Literally one of the plot points revolves around the fact that despite being on a strict time limit, and despite knowing their enemies are in the same town as them, two characters get separated because of of them wants to go out and buy tobacco before they have their coffee after dinner.

But the story is well put together and the writing excellent. It gets a little weird at the end. In the last few chapters the story, which until now was very much traditional spy thriller, suddenly takes on supernatural and spiritual elements. This is a weird shift in tone, and you quickly realise that Priestley’s using the story as a parable for the social politics in his age and his own politics. It’s not a bad ending. In fact I think it rather works. It’s just… slightly odd.

After the unfortunate ending on ‘Lost Empires’ I was wary of ‘Saturn Over The Water’, but while there are a few scenes with an unfortunate misogynistic tint this time we escape anything overtly offensive. Just be prepared for the fact that Priestley was a man of his time.

Reveiw: “Outlander” by Diana Gabaldon

The simplest review for Outlander is that while it was never bad enough for me to want to stop reading, the only feelings I had by the end were relief that I was done with it.

The plot is just so disjointed and jarring. The world and the characters are fleshed out and interesting, but Gabaldon has no idea how to lay out exposition without having her protagonist literally sit down and have a conversation with someone able to spend a chapter lay everything out for her.

Literally at one point the love interest says, in as many words, “Do you remember I told you there were things in my history I couldn’t tell you about yet. I’ve decided that I can now.” Any reason he couldn’t before but could now? Other than they were further into the book, I couldn’t see one.

Outlander’s Plot: Protagonist is in a situation; Protagonist sits down with another character who explicitly lays out a large chunk of exposition; Protagonist moves on to next situation. Repeat until book is twice as long as it needs to be.

And when I say “twice as long”, that’s no exaggeration. I have no idea who looked at this story and thought, “this needs to be over 300,000 words”, but they need to be found and stopped. This is not Epic Fantasy. It’s a Fantasy Romance. Any half decent editor could have told Gabaldon that this needed to be either split into two separate books, or drastically cut by a minimum of a third. A minimum.

I’m willing to give a pass on how quickly the protagonist adapts to being in the the past, and the nature of the interactions and relationships between her and the main love interest. There are… problematic elements, especially when it comes to 18th Century attitudes towards women. But this is, somewhere in its sprawling length, a romance novel. I wasn’t expecting a realistic portrayal of relationships.

And the most frustrating thing about it is I can’t bring myself to simply dislike Outlander. All the way through, while despairing at the exposition dumps and overlong periods of nothing happening while we waited for the next exposition dump, I found myself actually engaged. The concept has real potential. There are moments where you can see Gabaldon has done her research and has some interesting ideas about how a 1940s viewpoint would interact with 1740s society, and there are enough plot threads left hanging that I would honestly like to learn more about. But the idea of starting book two and having to slog my way through another one like this one send shivers down my spine.

So I find myself torn. After a break I may come back to this series. But I know that if I do by the time I’m half way through the next book I’ll be wishing it was over.

Recommendation: “Gyo” by Junji Ito

Something is wrong. A stench that drove Tadashi and Kaori from their holiday at the sea has followed them to their apartment in the city. A stench that is driving Kaori mad. But as terrible as that stench is, what is about to follow it out of the sea may be more than mankind can handle.

Gyo. A novel you read when you’re fine never to want to look at a fish ever again.

Junji Ito’s work is something that grabs your mind and doesn’t let go. Grotesque and beautiful. He has a masterful grasp of the very essence of horror; taking something normal and twisting it slightly until it becomes unsettlingly unfamiliar.

I didn’t enjoy this book as much as I enjoy Uzumaki, the first of Ito’s books I read. But being compared to a masterpiece is never fair, and doesn’t mean Gyo isn’t good. It just didn’t quite have the same overall feel of a completed story. There didn’t seem to be as much character, and the ending came out of nowhere and didn’t really feel satisfying. But that didn’t detract from the experience I had reading.

And that’s what Ito’s work is; an experience. Whatever other opinion you may have of his work, you don’t finish this book the same as you went in.

Recommendation: “The War of the Wolf” by Bernard Cornwell

Now an old man, Uhtred of Bebbanburg finds himself drawn back to Wessex by old oaths and the inevitable coming invasion of Northumbria. But while an ailing King Edward means that soon he’ll find himself marching south, for now he is drawn north by personal vengeance and what may be his final battle.

I’ve heard a lot of criticism about Bernard Cornwall’s series being very samey. I can understand the argument. But I still find that each once is just as readable as the last, and I’ve been waiting eagerly for War of the Wolf to come out in paperback.

I think these books avoid seeming too similar by being based on history. The characters are driven by on actual events, and so while the plot and characters may undeniably have a similarity across all the books, the fact they are draped over the backdrop of history gives them a realism they might otherwise have lacked.

Saying that, I would have though I’d have liked this one less. The majority of the story in War of the Wolf is not based in real events. Essentially, the book sets up the coming death of Edward and rise of Ethelstan that I assume will be the drive of the next story, leaving the majority of the story fictional. But I still enjoyed reading this just as much as the previous stories.

There’s also the fact we’re coming to the end of this series. Uhtred is now in his sixties. And while he, our narrator, can’t die, Cornwall does a very good job of showing age catching up with him. He’s losing speed. He’s still imposing, but lacks the raw power of youth that drove him before. And at the same time, he can see that Christianity is winning, and the old religion, his religion, is passing away. He’s a man beginning to face his own mortality, but in a way that suits the character.

There’s maybe two more books left to this series, assuming that it will end with Ethelstan’s rise as the first king of England (sorry for spoilers, but I think we’re out of the statute of limitations for events over a millennia ago), and War of the Wolf kind of has the feeling of a quick breather before the final push to the climax of the story of the creation of England.

If you’re a fan of the series, that fact is going to leave you more than excited for the next instalment.

Review: “The Murderer’s Ape” by Jekub Welelius

The life of Sally Jones, the ship’s engineer on the Hudson Queen, who just happens to be a gorilla, is thrown into chaos when she and her captain become unwitting pawns in an attempt to overthrow the government. When her best friend is framed for murder she is forced on a journey to prove her innocence that takes her from the kitchen of a Portuguese singer to the palace of a Indian Maharaja.

I’ve had this book on my reading pile for over half a year. I can’t say exactly why it took me so long to start it. I bought it on a whim at a writing event last September, so it wasn’t high up on my list. And I think it’s size put me off a little. I’ve read a few larger books this year that have been slow and ponderous, and I think I wanted to avoid another one.

But once I finally picked it up I really enjoyed The Murderer’s Ape. Despite its length it wasn’t actually that long a read. It refers to itself as a children’s book, but unless you have a year’s worth of bedtime stories to get through I’d have thought it would be a bit much for a child. But it’s not quite young adult. I feel its target audience are those preconscious children who find that early joy in reading. The kind who get their enjoyment from reading books other children can’t manage. Who voluntarily read Lord of the Rings at ten.

I can’t say the story really grabbed me, but I think that’s more because of my age than any fault of the book. I think its a little slow in places, and could have done with a little more peril or thrill, but that’s more my personal taste. It’s a fun, globe trotting tale, filled with a colourful cast of characters, and I think a younger reader would get a lot out of this.

And in the end the length wasn’t an issue. It didn’t take long at all. The writing is good enough that you a zip through without every thinking it’s a chore. I’ve read far thinner novels that have felt like they took longer to read than this one.

A selling point of the book is the art, all of which was done by the author. The story is preceded by a selection of portraits of the main characters, which gives a wonderful feel of the story to come. Those, and the maps included in the covers, signal the nature of the story you have coming, which I think helps mitigate the size of the book. It’s big, but you’re shown it’s scope from the beginning so you don’t worry you’re going to get bored. It also added an element of charm you don’t often see.

The Murderer’s Ape is definitely worth reading if you have the chance. Or would be the perfect gift for that teenager in your life who can’t seem to stop reading.

Review: “The Richer Way” by Julian Richer

This was wasn’t a normal read for me. I’m currently doing a Leadership and Management course that requires me to put in a silly number of hours in my own time, so my reading list is going to be invaded by books on management for the next year or so.

I picked up The Richer Way after reading an article on Julian Richer in the Guardian. He’s planning on giving his company to his employees when he retires, and this sort of thing chimed with me.

And this was actually a really easy read. Richer doesn’t try to make himself sound clever, or pad things out with philosophical musings to make his success seem something more then it is. He simply gives practical advise stemming from one core rule: first and foremost treat your people well. You can tell he has purposely kept the writing simple to ensure this book is accessible to anyone at any level.

Obviously this isn’t a book most people will need to read. It’s not a casual read but a learning resource. But if you run a company or manage people in your job this is essential reading.

Review: “After Dark” by Haruki Murakami

“After Dark” by Haruki Murakami is one of those reads where you can’t really look away from the page, yet somehow by the end you’re not really certain what really happened.

I’ve always had an envy for the writing in slice-of-life pieces like this one. You don’t get backstory, or plot-arcs, or even a plot, really. Instead you feel you’ve been dropped in the middle of a single night, experiencing what these characters experience along with them.

Think back over your life. How many life-changing moments were you aware of at the time? Almost none of them. You only realise their importance in your own story much later.

I was left with the feeling that this was one of those nights. The events and meetings are going to change the characters lives. But not yet. Eventually. Overtime there will be more; relationships will develop, conversations will echo, ideas will grow. In a few years, if they are lucky, they’ll look back and recognise the seed that took root on this night.

One day I hope to write something like this. I’ve heard some people don’t like the ending, as it’s abrupt and doesn’t wrap things up nicely in a bow. But I love endings like that.

Recommendation: “Transcription” by Kate Atkinson

I am by now convinced that I’ll never not enjoy a Kate Atkinson novel. I can’t say this is my favourite of hers, but that still puts it above most other books. I picked this book up the day I found it had come out in paperback. Atkinson isn’t a writer who you see and don’t grab.

Juliet Armstrong is one of the hundreds of girls brought into the security service on the outbreak of the Second World War. Soon she is selected to join an MI5 operation tracking and recording Nazi sympathisers. We jump between 1940 and the doubts of the early days of the war, to 1950 as Juliet now works at the BBC and has to face new doubts about decisions she made during the war that might be coming back to haunt her.

As always Atkinson presents her story through and emotional and beautifully rendered world. If feels like a different type of historical spy novel. A spy thriller from the point of view of the transcription girl. And it is historical, based on real operations undertaken at the time.

As I said above, it’s not my favourite of Atkinson’s novels. She has written enough now that I feel that can be said without sounding like I’m saying she’s slipping. Some books will be better than others. It’s still an amazing read, and drags you along as soon as it grabs you.

Recommendation: “The Night Circus” by Erin Morgenstern

It’s World Book Day. I hope you’re all revelling in your favourite reads, or throwing yourself into a book you’ve never read before. Because if there’s one thing that’s just as good as – or perhaps even better than – the joy of rereading an old favourite its that feeling of realisation that the book you’ve just begun is going to be wonderful. That deep happiness of knowing that you will never again get to experience this novel for the first time.

This is what I just encountered with Erin Morgenstern’s The Night Circus.

I wish I could remember exactly who recommend this to me last year, because then I could thank them to directing me to the experience of this read. Sometimes, when you’re trying to describe something, you don’t need fancy words. On these occasions the simple ones will fit better, as they can portray the essentialness of something.

The words that best describe The Night Circus? “Soft” and “Beautiful”.

Le Cirque de Reves moves around the world. It appears in one place as if by magic, opens only between sunset and sunrise, and then after a few days disappears just as suddenly. Decorated solely in black and white, populated by performers and attractions so otherworldly and imaginative that you can barely believe they are real, the experience of walking through the gate is akin to stepping into a dream. And behind all this are Celia and Marcus, two young magicians engaged in a contest to which neither understand the rules or know how or when a winner will be chosen.

Morgenstern’s writing is comforting without feeling worn, and elegant without being pretentious. It has the feel of something new that’s been expertly hand crafted to feel old and comfortable. She doesn’t rush a single word. If you require fast paced action, this isn’t the book for you. The story takes its time, letting the characters and the world grow at their own pace. Without wanting to sound to pretentious, the experience of reading the book has the feeling of exploring the circus itself; leisurely admiring every aspect as it comes until you complete your circuit and finally understand the full layout.

While I was reading The Night Circus I never felt rushed. I never looked at the number of pages remaining to guess how much I had left. I felt completely immersed, to the point where I actually felt sad when I reached the end. If you allow it, Morgenstern’s writing will sweep you up and carry you off out of this world and into its own.