Finding books about non-monogamy is tricky. When you’re polyamorous, one of the things you notices about popular culture is how must it simply doesn’t get what polyamory is. A lot of resources out there are trashy, focusing on nothing but the sexual aspect. Others seem to have decided that they have worked out exactly what polyamory is, and make you feel that if you don’t want exactly what they say you want then you’re doing it wrong.
This is why meeting people in the scene is so important, as it means to get recommendations. (It’s all about the networking, people!)
(I was recommended Opening Up by my girlfriend. For the record, she is amazing a finding useful resources on numerous subjects. She’s smart like that. You should also read her blog. It’s really good.)
What Taormino does with Opening Up is present their work as an introduction for those with little or now knowledge of the lifestyle. It doesn’t seek to tell you the answers, but present you with information and case studies which allow you to take in information and make your own decisions. It leads you along a path and encourages you to determine what you want, rather than telling you what you should want.
For me, this is the main appeal of this book. At no point does Taormino claim they have all the answers. Or even that there is a “right” or “wrong” way to life a non-monogamy life (like some resources I’ve encountered). Opening Up recognises that not everything is for everyone, and that the first step into the world is to determine what you want out of it and build on that.
So if you’re exploring non-monogamy is any way, or know someone who is and want to learn more about it, then this is a definite go-to read.
Book six done, and we’re almost halfway through the series. In the last book, The Fires of Heaven, it felt to me as if Jordan was taking a breath before setting up the next round of story arcs. Now, with Lord of Chaos, things start to get moving again.
Let’s start with the two big events that occur in this book.
First, the Healing of Logain. Wha’s big about this moment is that we are far enough into the series that established elements seem just that; established. Nynaeve’s attempts at Healing Logain feel like little more than a distraction that must surely go somewhere else, but suddenly she succeeds. And with that, the established world is turned on its head!
Parallel to this, I love how we start to see the Aes Sedai as real people, rather than omnipotent superwomen. This is a group that has spent literal millennia constructing their image. But now we see inside, and how while to all those on outside the Aes Sedai will always show a united front, within they have the same insecurities and internal politics as anyone else.
The second, and even bigger, event is Dumai’s Wells. This is still one of my favourite moments in the entire series.
Up until this point the Asha’man have been shown as a half-trained group. Something Rand has created in a desperate attempt to have another weapon for the last battle. Then suddenly they burst onto the scene as a super powerful fighting force.
This battle significantly changes the world. Firstly, the existence of the Asha’man changes every power existing power dynamic. They are a military force that can use the One Power that one one saw coming. And considering attitudes to men who can channel, we know the Asha.man are going to terrify the entire word. Secondly, both sides were made up of groups not traditionally aligned together. We are no longer in a world where Rand is working with what came before, but mixing everything up. Just as has been prophesied he is breaking everything that came before.
The events Dumai’s Wells also crystallise who Rand is becoming.
After sort of taking a back seat for a while, the character is now showing himself to be taking hold of his destiny. He knows who he is, what he has to do, and what will happen to him afterwards. But to do this he is forced to cut himself off from his own desires.
It’s easy to forget that Rand is meant to be more than 20 or so. This isn’t a man confident in his powers. He is barely out of adolescence and desperately trying to live up to be the man who he has to be. And the way he is tricked, and then the abuse he suffers before he is rescued, permanently damages him. How can he trust anyone, after he allowed this to happen?
Everyone in the world has their own agenda they want his to follow. To a greater or less extent, they all want to use him for their own ends and the kidnapping shows just how far some of them are willing to go. From now on he feels he can’t afford to trust anyone.
On to the actual writing.
I seem to do this with every book, but once again I’m going to pour praise on Jordan’s skill at foreshadowing and world building. The way he uses Matt’s memories to fill in the history of the world. The way Elayne and Nynaeve spending time in the rebel camp allows us to see the Aes Sedai as more human. The way a Pedron Niall dismisses a series of reports that seem unbelievable as they don’t fit his worldview, while we the readers know some of them are correct. The way the kidnapping scene is set up, with subtle elements of preceding scenes setting up points so that Rand would not suspect anything before it was too late.
I also want to highlight that at one point one of the characters has a Foretelling, and literally spells out the end of the final book, but in a way we won’t know until afterwards. That’s book fourteen! Jordan may not have meant there to be that many books in the series, but it really shows how much he had planned so far ahead.
I’m excited for A Crown of Swords. So much is set up in Lord of Chaos to be fulfilled in the following book. Unfortunately, one of those is going to be very Elayne heavy, but that’s just something we need to live with. We’re still in the first good arcs of the series for the dip around book ten, so I’m currently excited to keep going.
After spending two years in jail for giving a false alibi to her abusive boyfriend, Charlie has fled to Cornwall to make a new life. Unsure if she even deserves it, is it possible for her to make a new life for herself? Especially when she doesn’t know how or when her past will catch up with her, only that it can only be a matter of time.
Jo Jakeman’s debut, Sticks and Stones, was about facing the truth about your life and how you free yourself from the shackles that hold you down. Now her second book is about the next steps: trying to create something new in the shadow of your past.
Safe House is a story about trying to take control. Our protagonist Steffi/Charlie is someone who has never had control of her own life. After a life of emotional manipulation by her parents and boyfriend, followed by two years in prison, she’s finally ready to take control of her life.
But how do you do that when you’re not sure if you deserve it? Or when you know it’s only a matter of time before your past catches up with you?
This isn’t as much of a thriller as Sticks and Stones was. There’s less action, mainly being focused on Charlie’s internal world. And we’re missing any real wild emotional ups and downs. Until the end there’s no real antagonist other than her own paranoia.
I will say I think the ending is a little too neat. I like a story to have a few untied threads, giving me a feel that the world will carry on once the plot finishes. Without wanting to give too much away, I felt things were all wrapped up a little too well.
But other than that I can’t really fault it. Definitely worth a read.
Once again, I’m blown away by Kate Atkinson’s writing.
I tend to find that when an author has an ongoing character they come back to with some of their books but not all – as Atkinson does with Jackson Brodie – I enjoy those ones less. And it’s true that I’ve enjoyed her non-Brodie books more than her Brodie ones.
But I this this was my favourite of the Jackson Brodie books, mainly because the way she uses him as a link between elements of the story, rather than the protagonist. This story isn’t about him. He’s simply part of it.
This book is masterfully written. If you want an example of “Show, Don’t Tell”, this is it. Each chapter is set in the POV of one of the characters, each going about their lives, and this is how we see the story. We’re never explicitly told what is happening, or who people are. Instead, we put it together as we see things from each characters perspective. When one character thinks about an event, the things they know combine with what we learnt from another, and we put them together.
Once more, Atkinson has shown why she is one of those authors that both challenges me to be better, and makes me despair that I’ll never be this good.
I enjoyed this book, but felt it only really got going in the second half.
There is a really good story here, with a core concept that’s incredibly interesting once you reach it. However, I don’t feel that the set up and initial feel of the book gels that well with the second, much better, half.
I feel the first half of the book could have been half as long and a lot more focused. I love Jones’ style, but it took me ages to get into the story to a point where I wanted to carry on.
But once you get through that, the second half is really worth working through for. The concept for the climax is really interesting. I would have loved to have the opening more focused around this rather than taking so long with character development that could have done with a lit of streamlining.
One thing I want to say is there is a massive improvement to the other of Jones’ books I’ve read. When I read his first novel, The String Diaries, I was disappointed by the tacked on happy ending. Sometimes a dark story needs to be brave enough to have a dark ending. And, without wanting to give too much away, The Disciple has an ending that perfectly matches the tone.
So not a great opening, but definitely worth pushing through until it focuses and pulls you in.
Emily, a talented street grifter, is pulled off the street and placed in a school that teaches its students the true power of human language. Struggling against the strict discipline of this new life, she discovers her talents for persuasion are more powerful than she ever realised.
Will has no memory of the things the men who abducted him insist he was part of. The only survivor of an impossible to survive event, he finds himself on the run from an organisation that wants to pull a word out of his head anyway it can.
I got this book as my Secret Santa gift at work last year. It was a successful purchase.
I got pulled into the story straight away, with both Will and Emily’s stories are equally engaging. At no point was I annoyed when it swapped between one and the other, which can happen when there are two viewpoints at once.
It’s hard to go into some of the details without spoilers, but I’ll just say I loved how the two POVs came to interact. There were surprises, and while I managed to work some out in advance these were enough to make me fee smart rather than making the story feel predictable.
This book was fascinating. As I got into it I actually started to worry, as the concept got very close to one of my WIPs. Luckily Barry took it in the other direction to where I’m looking to go. I might still take some inspiration from here though.
I’m definitely putting Max Barry on my watch list. It looks like he’s got a few books out, so those are on my To-Read list once I get my current reading pile down a bit.
And we’re three books down in my Wheel of Time re-read.
I was pleasantly surprised by The Great Hunt. For some reason I recalled this one being one of the weaker in the series. Looking at it now, I think I thought this was because in many ways the plot is a reflection of the first book; in The Eye of the World Rand and the others run across the world from something, and in The Great Hunt they run back across the world running to something.
It shows us Rand growing into his role, in a way that needed the time it’s given. An all too common fantasy trope is the innocent becoming the prophesied hero with no warning or reason; a deus ex machina rather than character development. Instead, Jordan shows us Rand refusing his destiny, but taking the actions that lead him towards it they are the right things to do.
And that’s the main thrust of this character arc. Being a hero is about doing something – no matter much it scares you or you don’t want to – because it’s the right thing to do.
And what we get in the background of all this is more wonderful world building. As the characters travel around more of the world, we get more and more of a sense different countries and cultures. And the way Jordan shows this is what makes him a master. It’s all in little pieces thrown here and there, enough for us to feel how these worlds grew.
A great example here is the arrival of the Seanchan. (Who I’d forgotten turn up this soon.) We’re never told the full story, but we have enough parts to put together the full story of the armies setting sail a thousand years ago, and then what’s happening now. Jordan gives us just enough to work it all out ourselves, and feel smart about doing it.
Maybe I’m seeing more with this being my third or third read-through, and I know what I’m looking for. Maybe the first time around I was looking for more action, not knowing how much foundation was being laid.
And can I just take a moment to appreciate the terrible cover art? I tried so hard to find a hardback copy without these horrible fantasy portraits. I’ve always hated these covers. They utterly fail to convey the characters or feel of the books. The way Egwene (I assume) is looking at Rand (I assume)? Urgh! It’s sickening.
The Loney. A desolate stretch of land on the northern coast, notable only for an ancient shrine to which a young boy’s devout Catholic parents take him and his brother, Hanny, every Easter in the hope of find an miracle cure for Hanny’s muteness. But when a new priest is assigned to the parish, the family’s religious certainty is challenged, and the cracks in faith and ritual begin to show.
This was an interesting read. I loved the story. I also loved Hurley’s style. He does a wonderful job of writing around what is actually happening. It’s the perfect depiction of a child’s point of view: being witness the lives of the adults around him but never having anyone engage with him to explain exactly what’s happening. Everything was inferred. All the character backstory was there, but you have to work it out. These are not the kind of people willing to be open and honest about their feelings.
The setting was perfect for the story. Looking at it objectively I would have said it was a little too on the nose. But actually, sometimes simple is the best way to do something. The Loney and the house work as a perfect representation of the fragile and isolated world the protagonist’s family have created; with their strict religion and belief that simply religion-ing hard enough will eventually solve their problems.
But as much as I enjoyed The Loney and got a lot out of it, it’s one of those books that didn’t quite hit that point of satisfaction. I loved the story and the writing, but found it hard to get into and a little disappointing at the end.
Thinking back, I think the fact I took a while to get into it was down to me. I wasn’t sure of either the year the story was set or the protagonist’s age until well into the story. This niggled at me, preventing me getting lost in the story as I was searching for clues to work it out.
And the ending was, I’m afraid, a classic case of not hitting the same feel as the rest of it. It didn’t feel to me like it flowed naturally. From a wonderful, elusive story where everything was inferred, we were suddenly handed a climax that hadn’t been prepared for. Without wanting to give too much away, the climax relied on a certain element that either should have been set up much earlier, or removed entirely.
The Loney is essentially a story about how damaging adhering to a strict dogma can be to people and communities. It uses religion as the example, but doesn’t attack it directly. Rather it shows how a small community and family clutching to its own strict interpretation can only survive until the first cracks of doubt appear, and all too often refuse the see the damage it inflicts on those without their own agency. But I just felt that the framing devices didn’t match this theme, and kind of undercut it.
All in all, though, I greatly enjoyed it and I’ll be looking to pick up more of Hurley’s work. The Loney was his debut novel, and so hopefully his next two will have followed up in the same style, but with a little more evenness at the start and the end.
The most relevant note from my read of this book is that it’s the first one I can remember since school where I’ve actually highlighted sections to refer back to later.
A World in Us is a memoir of two parts. The first is the actual story, depicting how the author and her husband came into polyamory and the soaring highs and crashing lows of their first relationship with another couple. The second is a commentary of sorts written several years later as a letter to the Leontiades’ younger self, going through each chapter in turn and commenting on what she has learned.
On the first level, this is simply a wonderfully written story about someone’s personal journey. What they went through to find who they were. These are four people discovering a new side to themselves, being willing to do something that doesn’t “fit” with societal norms because it’s what feels right for them, and learning things that a traditional, monogamous relationship would have never revealed. It’s honest, emotional, and at times brutal, but also beautiful and affirming.
The second level is as a guide for people newly exploring polyamory. Leontiades never shies away from the light or the dark of her experiences. There a moments both exciting and thrilling, and moments where she’s is emotionally crushed beneath the weight of everything. We are show the pure joy of discovering something that you didn’t know was missing in your life, but also the pain of trying to find your way in a lifestyle your upbringing never prepared you for.
The beauty of this story is its honesty. At no point does the Leontiades try to hide her own faults or issues and how they fed into the dynamic the four of them created. There are times that the others come off as the “bad guys” in situations, this is only because Louisa is our protagonist and so naturally the depictions of the other three are seen through her point of view. And this is effectively address by the author herself in the second half, where she reflects on the events of each chapter with the benefit of time, growth and reflection.
And this isn’t a piece of polyamory propaganda. We are simply presented with Louisa’s story, and are free to take away from it what we want. At no point does she argue polyamory is better or worse than monogamy. Only that both are valid options with their own benefits and pitfalls.
But through her honest depiction of her own experience, with all it’s failings and unaddressed issues, we are presented with the fact that this isn’t a gateway to a perfect life. It will be hard, and it my not be what we were expecting. But, if it fits your personality and you work on it, it can be a rewarding why to life your life.
Overall, if you are newly coming into polyamory I couldn’t recommend this book enough. Even if, like me, Leontiades’ situation doesn’t mirror your own there are so many universal learnings to take away from it.
Three thousand years since the world was all but destroyed in the War of the Shadow, the Dark One has begun to stir in his prison. As those aware of such things begin to fear the coming of the prophisied Last Battle for the fate of humanity, Rand Al’Thor, a young farmer, finds himself fleeing his home pursued by monsters from legend. As he and his friends make their way into the world, he begins to suffer dreams that may well mean he is destined to save, or destroy, the whole of creation.
I first read The Eye of the World by the pool in a hotel in Spain. I was on my first holiday with my now wife, and I remember buying it as a whim at the airport. If I remember correctly the quote on the front cover said something along the lines of it being better than Tolkien, and I decided to pick it up so I could properly mock it for such a grandiose claim.
When I got home I immediately ordered Book Two.
It’s not the best in the series. I remember even at the time I thought the story was a little too close to the plot of Fellowship of the Ring. But there was something about it. I didn’t know what at the time, but now I recognise that it was a sense that the world I was being shown was so much bigger than the story I was reading.
Most fantasy books, epic or not, never manage to make it feel that their world is any bigger than the parts we see. The writers flesh out the areas the character travels, but there’s no sense that the world is anything more. As if the protagonist sees everything important, and the rest is inconsequential.
What Jordan managed was to make me feel is that his story is taking place in a small part of something much greater. As is usual in fantasy, the innocent protagonist is pulled from his idilic home into a bigger world. With each step he feels he’s seeing the biggest new thing possible, only to discover even greater still with the next. But with Jordan’s writing you feel there is still more out there.
There is the promise of so much more, teasing a story with a scope we haven’t yet seen.
And there is so much set-up here. The point I always highlight is how there is a passing exchange between two characters, no more than a couple of paragraphs, that set up something we don’t see until around book thirteen. That’s how forward planned these books were. They don’t dwell on it. There’s no “Look at that over there, it must surely be important. One day will will visit that place” dialogue. They just mention is in passing, along with a lot of other things, and let it lie.
So is this book perfect? No. It is a promise of great story to come? Yes.
If you’ve read enough epic fantasy the story won’t be original, but take that as an introduction and you’ll be letting yourself into something amazing.
And on a side note, look at how beautiful this copy is. I can’t remember exactly when this special edition came out. It may have been a twentieth anniversary print, or something to celebrate the series ending. What I do remember is preordering this baby without a second thought.