I didn’t get to read many books this year. As I discussed in my earlier post, my commuting time – which is my main reading time – has been given over to studying, slashing my reading in half (based on the number of books I read this year against 2018).
But even if I’d had a large pool of books to select from, I can’t imagine another one pulling me in as deeply as The Night Circus.
Yes, once again I’m choosing a book that wasn’t published this year. But as much as I would like my pick for the year to be more currently, I have to select from the pool available.
The words I used to describe this story at the time were “comfortable without feeling worn, and elegant without being pretentious”. I still feel those are the most accurate. I can already imagine coming back to this book again and again, immersing myself in the pages and rediscovering the beauty and the magic.
The true beauty of The Night Circus is how Morgenstern ensures the pure magic of the circus itself blends with the everyday sections. We see Le Circe des Reves, the Night Circus itself, from the point of view of the world’s public and also from behind the scenes. It is both magical and everyday. Something spectacular and unreal, and yet still grounded in a reality. The perfect setting for a contest of magic where neither participant knows exactly who their opponent is.
Don’t expect fast paced. But also don’t expect slow and bloated. This novel is exactly the right length as it travels through a cast of characters who all feel unique and alive. This isn’t a story of two protagonists with a background cast passing through and appearing only when needed. This is the story of a the world the protagonists live in, fleshed out and real.
I’m pretty sure I’ll come back to this book relatively soon. And when I do I will likely sink right back into it with a smile on my face.
And I received Morganstern’s new novel – The Starless Sea – as a Christmas gift. So I’ll be throwing myself into that as soon as possible.
So my Book of the Year 2018 was actually published in 2013. Yes, I’m kicking these off with an “If I Haven’t Read It, It’s New To Me”. I’ve actually read more new releases this year then I have in the past and really wanted to pick one of those to have an actual book of 2018. (With that in mind I would have picked Laura Purcell’s The Corset, so you should definitely look into that one if you can). But my final choice had to be Life After Life by Kate Atkinson.
This one grabbed the top spot both because of how good it is, and that it introduced me to Atkinson as a writer. I’ve since read more of her work and she’s shot right up to the top three or four of the list of my favourite writers.
Life After Life is the story of the multiple lives of Ursula Todd. The story starts with her dying at birth on a cold February night. Then it restarts, on the same night, this time with her surviving birth only to die early in childhood. Then it restarts, over and over, each time restarting on the same February night. And each time she brings with her small memories and feeling from her last life to help her shape the next.
While this may sounds a little Groundhog Day, it’s far more complex than that. Ursula doesn’t get reborn with all her memories. All that she retains are images, memories and vague feelings. For example, after one life where she drowns, in her next life when she goes to enter the sea on that day she has an unexplained panic attack, leading someone to notice her going in who is able to rescue her. But unlike Groundhog Day it doesn’t stick to the simplistic idea of retrying your life until you “get it right”. Some of Ursula’s lives are better than others, with each one echoing differently into those that come next. And while most lives are largely similar, some veer off wildly, showing how the smallest chance events can have a massive impact on your life.
What’s amazing about this novel is how Atkinson manages to entwine timelines together. I am a massive sucker for interwoven non-linear timelines in novels. I think it’s something that I know can only go one of two ways; perfectly or crash-and-burn. I’d also want to do something similar one day but I’m not sure I’d be able to pull it off.
Her style is so smooth and natural the concept never seems gimmicky or trite. And you honestly come to care about Ursula and her family. You truly get a feeling of relief when you see her avoiding an event that ruined a previous life.
I honestly can’t recommend Kate Atkinson’s work enough. I’m only three books into her backlog and looking for the rest each time I’m out for a new read.
This year, I’ve decided to post a few of the highlights I’ve come across in 2016 to share with you all. They won’t necessarily be things published or released this year, but will all be relatively recent works that I – at least – discovered in 2016.
I had to put a bit of thought into my favourite book from this year, as the one that I’ve ultimately decided upon was actually released back in 2011. But as I was given this as a gift last Christmas, and therefore only read it for the first time in 2016, I have decided it can count. Because this is my personal list, and I get to make the rules.
In a world where real-life has become almost unliveable, where the class and wage gaps are bigger than ever and a majority of people live in poverty, most of the world live within OASIS; a fully immersive virtual world, that functions as both an MMORPG and online society where most people go to school and hold their jobs. But when the creator and owner of OASIS dies, he leaves ownership of it to whoever can solve a complex treasure hunt based on obscure 1980s trivia. And whoever owns OASIS becomes one of the richest and most powerful people in the world.
When teenager Wade Watts manages to solve the first riddle, his life becomes a race between him, his friends and peers, and the multinational corporation which will stop at nothing to gain control of OASIS.
This book is just so fresh and clever. Well researched – Cline obviously has an encyclopedic knowledge of the ‘80s and early computer games – and expertly written, Ready Player One perfectly encapsulates my generation’s culture and attitudes. Cline manages to mine the current fashion for modernised nostalgia while commenting on how just fragile the line between the real world and escapism has become.
It’s just such a shame that his follow up – Armada – which did come out this year, is so mind-bogglingly awful. Seriously, don’t bother wasting your time unless you want a perfect example of an author buckling under the pressure of a smash hit debut.