The Wheel of Time Reread: The Fires of Heaven

*SPOILERS AHEAD FOR THIS AND OTHER BOOKS IN THE SERIES*

Prelude: New Spring
Book 1: The Eye of the World
Book 2: The Great Hunt
Book 3: The Dragon Reborn
Book 4: The Shadow Rising

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We’re done with book five, and we’re really getting into the initial upward curve of the series. However, while The Fires of Heaven keeps up the pace and doesn’t have any significant issues, unlike The Shadow Rising I don’t think there are any significant stand out series highlight moments here. Until the end, that is.

 

We’re really starting to see how Jordan world-builds here. We have our first instance of his opening the book with scenes dotted around the world. I love this technique, and how it sets the scenes beyond the immediate world of the protagonists. How have past event impacted the rest of the world, and what is happening that will affect us in later books? 

This is carried this on with the scenes in Tel’aran’rhiod, where Nynaeve and Elayne are able to find glimpses of information in the dream world. These often mean nothing to the characters, but the reader has knowledge that us to fill in the gaps. We’re given enough to build on without it being forced on us. I’ve always thought this was really well done. 

 

Another good thing is we start to see some of the characters grow past their initial, more annoying stages. In earlier posts for this re-read I wrote about Nynaeve and how the fact that she starts off so irritating is mitigated by the fact I knew the growth coming in her character arc. Here is where that begins to show. Through pride she makes a huge mistake, and that kicks off her path of development into a more rounded character. And the fact this isn’t instant, but builds until later books, makes it even better. 

Matt also starts to get better in The Fires Of Heaven. Although it’s not so satisfying than Nynaeve. Rather than a significant lesson or moment of realisation, he simply stops sulking about everything and just gets on with things.

Unfortunately, there will be no growth for Elayne. She is simply an irritating character. Spoilt, whiney, entitled. It was bearable in previous read-throughs, but knowing she has no growth and will be this annoying for the remainder of the series just makes her grate all the more. I think this was on purpose on Jordan’s part, but I don’t think it works. 

 

Rand also gets another level of growth; the introduction of Lews Therin. This is interesting, as we are at a point where he could have become dull. Having completed his initial character arc, he has accepted his fate and gone on the offensive. He could slipped into the trope of “trouble hero”, but the intrusions of Lews Therin give us a new element to explore. Is this a past life coming through, or just an element of Rand’s own madness? 

This raises interesting questions about one of the series’ concepts. Reincarnation is established as a real thing in this world. That souls are born and reborn is a key plot device. But where we’ve seen it before with Matt it’s been simple, each soul is reborn. But where Matt gains memories from his past lives, here we have two distinct and separate personalities. It can be put down to the fact Rand is the Dragon Reborn, not just any reincarnated soul, but I’ll be paying more attention to this aspect going forward with this re-read.

 

And so we come to the one real significant event in this entry; Moiraine dies. And, for a significant remainder of the series, the first time reader will believe this is permanent. At least I did. I’ll be interested in seeing if I spot any hints to the contrary on this read through.

This is a signification point, as she is the first main character to die. And while it’s a big climactic  set piece rather than an indication that anyone can die at any time, it’s still a big moment. Especially after a couple more books when you can assume she isn’t coming back in some form. She’s gone. 

But the other reason I like this is how its highlighting something in both Rand, and fantasy tropes. Rand, like a lot of “early” fantasy, has a problem with women. He refuses to see that as equal, but in a way he believes in honourable. Even surrounded as he is at this point by a literal all-female warrior society, he cannot bring himself to think of woman in the same way as men. He would argue the point, but essentially he believe’s women are weaker than men and must be protected, to the point he won’t harm someone as undeniably evil as Lanfear. He’s had at this point multiple experiences where if he’d been prepared to kill a woman he could have have a huge advantage but couldn’t take it.

And now, that’s lead to one of his main supporters dying. In a way he doesn’t learn from. This is an important point, and part of Rand’s learning the difference between “Hard” and “Strong”. Rather than him realising if he’d let go this cultural construct in his head he could have saved her, he instead starts to obsess on all the women he failed to saved. In continuing to think of woman as inferior to men in this way, as much as he doesn’t see it that way, all he does is weaken himself.

 

I’ll having a little break before beginning Lord of Chaos. Just to let myself get through a couple of the other books on my reading list. But I’ll be back on the re-read soon.

The Wheel of Time Reread: The Dragon Reborn

 

Book Three done.

From this point on in this series of posts I’m going to have to say *mild spoilers*. We’re getting to the point where discussing the plot of each book with reveal points from previous ones. It’s unavoidable. So if you’ve not yet read The Wheel of Time, or plan to watch the Amazon Prime show when it comes out without knowing anything in advance, then I recommend doing so before reading any more of these posts.

Prelude: New Spring
Book 1: The Eye of the World
Book 2: The Great Hunt

*MILD SPOILERS AHEAD FOR EARLIER BOOKS IN THE SERIES*

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I think The Dragon Reborn is where The Wheel of Time really starts to get good. The premise is set, we know the main characters, and have a grasp of the world as a whole. The foundation is in place and we’re ready to open things up and run.

In my last post I discussed how The Eye of the World and The Great Hunt mirrored each other; in the first the characters are running from something and in the next running to something. The Dragon Reborn concludes the introduction ‘trilogy’, if you will, by having them run for something. The characters are now becoming proactive.

Where we might start to get bored with the formula a little, the introduction of the world of dreams – both with Tel’aran’rhiod and the Wolf Dream – gives us a nice helping of foreshadowing. The first time you read these they open up possibilities and could easily mean very little. But on following read-throughs you know what they are hinting at. You get to see exactly how far ahead Jordan had planned the story. Elements we’re not going to see for several books are already hinted or at play. It’s masterful.

The only series to come close to The Wheel of Time when it comes to foreshadowing is the television show Babylon 5. If you know of any others, let me know as I’d love to have more examples.

And, critically, we have new antagonists: The Forsaken.

Two of the Forsaken turned up in The Eye of the World, but in that case simply appeared during the climax to act as a Boss Battle. By the end of The Dragon Reborn we know they are all free. Until now there were a distant threat, trapped but as risk of escaping. Now they are in play. And also they are all doing something far more terrifying than simply attacking the protagonists outright; establishing themselves and making plans. They are setting themselves as rulers, insinuating themselves into positions of power.

By the end of The Dragon Reborn we know where three of them are and that two of them are dead, but the others are all out there somewhere. And so now the series has a credible, real world threat. Until now we’ve had the Trollocs. Terrifying, but essentially mindless monsters. The Forsaken, on the other hand, are active, intelligent forces working against the protagonists. Each one different, yet equally dangerous.

Also this is the book that introduces Faile, and Faile and Perrin are my favourite two characters in the series. I’ll talk more about them in my post for the next book in the series.

The last thing is want to mention here is how annoying some of the characters are. And I mean that in the best possible way.

Take Nynaeve. I hate Nynaeve as a person, but love her character. She’s arrogant, stuck up, bullies people into getting her way, refuses to admit anyone else can ever be right, and her entire arch through the first few books of the series is based about seeking spiteful revenge against Morraine.

One of the things I love about this series are the flaws these characters have, and the reasons behind them. There are reasons Nynaeve is the way she is, and there will be ways she grows and tempers her personality without changing who she is.

And that’s fine. Better than fine. She’s not the only one, just the main example. I also feel Matt needs a good sulk to stop him sulking all the time. It’s easy to forget how young the main characters are sometimes. If they sound like they are being sulky and childish, they’re mostly teenagers still. And acting like any teenage with authority they’re not certain how to handle.

It’s important to be able to dislike a character. To be able to look at a protagonist and see how their thoughts and opinions are valid, but if you were in a room with them you’d just want to slap them for being so irritating.

But that’s what makes them interesting. It’s why no particular section feels boring. As the series progresses there are going to be so many new characters to keep in our heads, and it’s these character traits that stops them becoming interchangeable.

If I have a criticism for The Dragon Reborn, it’s that there’s a little too much exposition in the first third of the book. It suffers from the fact it was an early book in an epic fantasy series and needed to refresh the reader on the world and the story. When you re-read them in quick succession it’s jarring when the characters keep explaining everything to us. I don’t remember this problem from previous read-throughs, so hopefully it will stop being a problem in the next books.

 

And so on to The Shadow Rising. Rand has declared himself the Dragon Reborn, fulfilling the prophesies that make it impossible for the world to deny him. It’s time for our main party to split, and the Forsaken to start tearing the world up under their feet. And, happily, the this will be the last book in my collection is the terrible original cover art.

The Wheel of Time Reread: The Great Hunt

And we’re three books down in my Wheel of Time re-read.

img_4041I was pleasantly surprised by The Great Hunt. For some reason I recalled this one being one of the weaker in the series. Looking at it now, I think I thought this was because in many ways the plot is a reflection of the first book; in The Eye of the World Rand and the others run across the world from something, and in The Great Hunt they run back across the world running to something.

It shows us Rand growing into his role, in a way that needed the time it’s given. An all too common fantasy trope is the innocent becoming the prophesied hero with no warning or reason; a deus ex machina rather than character development. Instead, Jordan shows us Rand refusing his destiny, but taking the actions that lead him towards it they are the right things to do.

And that’s the main thrust of this character arc. Being a hero is about doing something – no matter much it scares you or you don’t want to – because it’s the right thing to do.

And what we get in the background of all this is more wonderful world building. As the characters travel around more of the world, we get more and more of a sense different countries and cultures. And the way Jordan shows this is what makes him a master. It’s all in little pieces thrown here and there, enough for us to feel how these worlds grew.

A great example here is the arrival of the Seanchan. (Who I’d forgotten turn up this soon.) We’re never told the full story, but we have enough parts to put together the full story of the armies setting sail a thousand years ago, and then what’s happening now. Jordan gives us just enough to work it all out ourselves, and feel smart about doing it.

Maybe I’m seeing more with this being my third or third read-through, and I know what I’m looking for. Maybe the first time around I was looking for more action, not knowing how much foundation was being laid.

And can I just take a moment to appreciate the terrible cover art? I tried so hard to find a hardback copy without these horrible fantasy portraits. I’ve always hated these covers. They utterly fail to convey the characters or feel of the books. The way Egwene (I assume) is looking at Rand (I assume)? Urgh! It’s sickening.

Now, on to The Dragon Reborn.

Wheel of Time Re-read: The Eye of the World

And Book One of my Wheel of Time Reread is done.

Three thousand years since the world was all but destroyed in the War of the Shadow, the Dark One has begun to stir in his prison. As those aware of such things begin to fear the coming of the prophisied Last Battle for the fate of humanity, Rand Al’Thor, a young farmer, finds himself fleeing his home pursued by monsters from legend. As he and his friends make their way into the world, he begins to suffer dreams that may well mean he is destined to save, or destroy, the whole of creation.

I first read The Eye of the World by the pool in a hotel in Spain. I was on my first holiday with my now wife, and I remember buying it as a whim at the airport. If I remember correctly the quote on the front cover said something along the lines of it being better than Tolkien, and I decided to pick it up so I could properly mock it for such a grandiose claim.

When I got home I immediately ordered Book Two.

It’s not the best in the series. I remember even at the time I thought the story was a little too close to the plot of Fellowship of the Ring. But there was something about it. I didn’t know what at the time, but now I recognise that it was a sense that the world I was being shown was so much bigger than the story I was reading.

Most fantasy books, epic or not, never manage to make it feel that their world is any bigger than the parts we see. The writers flesh out the areas the character travels, but there’s no sense that the world is anything more. As if the protagonist sees everything important, and the rest is inconsequential.

What Jordan managed was to make me feel is that his story is taking place in a small part of something much greater. As is usual in fantasy, the innocent protagonist is pulled from his idilic home into a bigger world. With each step he feels he’s seeing the biggest new thing possible, only to discover even greater still with the next. But with Jordan’s writing you feel there is still more out there.

There is the promise of so much more, teasing a story with a scope we haven’t yet seen.

And there is so much set-up here. The point I always highlight is how there is a passing exchange between two characters, no more than a couple of paragraphs, that set up something we don’t see until around book thirteen. That’s how forward planned these books were. They don’t dwell on it. There’s no “Look at that over there, it must surely be important. One day will will visit that place” dialogue. They just mention is in passing, along with a lot of other things, and let it lie.

So is this book perfect? No. It is a promise of great story to come? Yes.

If you’ve read enough epic fantasy the story won’t be original, but take that as an introduction and you’ll be letting yourself into something amazing.

And on a side note, look at how beautiful this copy is. I can’t remember exactly when this special edition came out. It may have been a twentieth anniversary print, or something to celebrate the series ending. What I do remember is preordering this baby without a second thought.

Now on to Book Two: The Great Hunt.

My 2016 TV Show of the Year

This year, I’ve decided to post a few of the highlights I’ve come across in 2016 to share with you all. They won’t necessarily be things published or released this year, but will all be relatively recent works that I – at least – discovered in 2016.

 

This one gave me a little difficulty. We all know that we’re in a so-called “Golden Age of Television”, and as much as that phrase is tired and overused I can’t deny that with subscriptions to Netflix and Amazon Prime I’ve had copious excellent television to get through. By rather than one of the series that everyone’s already raved about online, I’m going to pick one that we started watching on a whim without knowing anything about it and turned out to the be one of the cleverest TV shows I’ve seen in a long time.

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On the day Rebecca Bunch is finally about to reach her lifelong goal of being made a Partner in a prestigious New York legal firm, she is suddenly struck by just how miserable she truly is. Then, mid-breakdown – she runs into an old boyfriend. Releasing that the time she dated him – for just 3 months one summer over a decade ago – was the last time she was truly happy, Rebecca drops everything and follows him across the country to win him back.

Crazy Ex-Girlfriend is one of the smartest pieces of television writing I’ve watched in years. While the premise could be one of a thousand bland rom-coms or generic sitcoms, writer and star Rachel Bloom instead created something that’s both a fun musical show and a deep look into the divide between what society has taught us to think we want and what we actually need.

Rebecca drops a high-flying legal career to be with the boy of her dreams. Why wouldn’t that be the right thing to do? They had a Meet-Cute on the day she needed it the most. That’s what television and movies have taught us; that our fairytale will come true if we just believe enough to fight through all obstacles. Why should it matter that she’s stalked him across the country? Or that he’s been with the same girlfriend for fifteen years? Or that her actions throw the lives of so many people into chaos? It’s meant to be!

Ultimately, this show is about the delusions we build for ourselves to hide from the truths we don’t want to face.

While also being a light-hearted musical.

Did I say the writing on this show was really clever?ceg1cast3_0509ra-max-620x600

It’s the layers to the characters and the plots that make this show unmissable. They’ve managed to avoid or subvert every trope in their path, without a single lazy path taken. If two characters have an ‘amusing misunderstanding’, rather than stretching that out for an entire episode they will talk it out and focus instead on the underlying issues. We’re introduced to characters such as “the boss who wants to be everyone’s friend”, or “the controlling bitch girlfriend”, or “the love interest”, but as the series progresses you see how none of them are solely defined by these labels. You also see why they are this way. Why does the boss so desperately want people to like him? Why is the love interest’s girlfriend such a controlling bitch? Why does the love interest stay with his girlfriend even though she’s so unpleasant and demanding? And, most impressively, all of them change and grow in a way that suit the character rather than the longevity of the show. Or getting preachy.

Basically, if you’ve not caught this show I cannot recommend strongly enough that you do. It’s currently half way through its second season, and you won’t find many shows so that subvert television character tropes so well.