Wheel of Time Re-read: The Eye of the World

And Book One of my Wheel of Time Reread is done.

Three thousand years since the world was all but destroyed in the War of the Shadow, the Dark One has begun to stir in his prison. As those aware of such things begin to fear the coming of the prophisied Last Battle for the fate of humanity, Rand Al’Thor, a young farmer, finds himself fleeing his home pursued by monsters from legend. As he and his friends make their way into the world, he begins to suffer dreams that may well mean he is destined to save, or destroy, the whole of creation.

I first read The Eye of the World by the pool in a hotel in Spain. I was on my first holiday with my now wife, and I remember buying it as a whim at the airport. If I remember correctly the quote on the front cover said something along the lines of it being better than Tolkien, and I decided to pick it up so I could properly mock it for such a grandiose claim.

When I got home I immediately ordered Book Two.

It’s not the best in the series. I remember even at the time I thought the story was a little too close to the plot of Fellowship of the Ring. But there was something about it. I didn’t know what at the time, but now I recognise that it was a sense that the world I was being shown was so much bigger than the story I was reading.

Most fantasy books, epic or not, never manage to make it feel that their world is any bigger than the parts we see. The writers flesh out the areas the character travels, but there’s no sense that the world is anything more. As if the protagonist sees everything important, and the rest is inconsequential.

What Jordan managed was to make me feel is that his story is taking place in a small part of something much greater. As is usual in fantasy, the innocent protagonist is pulled from his idilic home into a bigger world. With each step he feels he’s seeing the biggest new thing possible, only to discover even greater still with the next. But with Jordan’s writing you feel there is still more out there.

There is the promise of so much more, teasing a story with a scope we haven’t yet seen.

And there is so much set-up here. The point I always highlight is how there is a passing exchange between two characters, no more than a couple of paragraphs, that set up something we don’t see until around book thirteen. That’s how forward planned these books were. They don’t dwell on it. There’s no “Look at that over there, it must surely be important. One day will will visit that place” dialogue. They just mention is in passing, along with a lot of other things, and let it lie.

So is this book perfect? No. It is a promise of great story to come? Yes.

If you’ve read enough epic fantasy the story won’t be original, but take that as an introduction and you’ll be letting yourself into something amazing.

And on a side note, look at how beautiful this copy is. I can’t remember exactly when this special edition came out. It may have been a twentieth anniversary print, or something to celebrate the series ending. What I do remember is preordering this baby without a second thought.

Now on to Book Two: The Great Hunt.

My 2016 TV Show of the Year

This year, I’ve decided to post a few of the highlights I’ve come across in 2016 to share with you all. They won’t necessarily be things published or released this year, but will all be relatively recent works that I – at least – discovered in 2016.

 

This one gave me a little difficulty. We all know that we’re in a so-called “Golden Age of Television”, and as much as that phrase is tired and overused I can’t deny that with subscriptions to Netflix and Amazon Prime I’ve had copious excellent television to get through. By rather than one of the series that everyone’s already raved about online, I’m going to pick one that we started watching on a whim without knowing anything about it and turned out to the be one of the cleverest TV shows I’ve seen in a long time.

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On the day Rebecca Bunch is finally about to reach her lifelong goal of being made a Partner in a prestigious New York legal firm, she is suddenly struck by just how miserable she truly is. Then, mid-breakdown – she runs into an old boyfriend. Releasing that the time she dated him – for just 3 months one summer over a decade ago – was the last time she was truly happy, Rebecca drops everything and follows him across the country to win him back.

Crazy Ex-Girlfriend is one of the smartest pieces of television writing I’ve watched in years. While the premise could be one of a thousand bland rom-coms or generic sitcoms, writer and star Rachel Bloom instead created something that’s both a fun musical show and a deep look into the divide between what society has taught us to think we want and what we actually need.

Rebecca drops a high-flying legal career to be with the boy of her dreams. Why wouldn’t that be the right thing to do? They had a Meet-Cute on the day she needed it the most. That’s what television and movies have taught us; that our fairytale will come true if we just believe enough to fight through all obstacles. Why should it matter that she’s stalked him across the country? Or that he’s been with the same girlfriend for fifteen years? Or that her actions throw the lives of so many people into chaos? It’s meant to be!

Ultimately, this show is about the delusions we build for ourselves to hide from the truths we don’t want to face.

While also being a light-hearted musical.

Did I say the writing on this show was really clever?ceg1cast3_0509ra-max-620x600

It’s the layers to the characters and the plots that make this show unmissable. They’ve managed to avoid or subvert every trope in their path, without a single lazy path taken. If two characters have an ‘amusing misunderstanding’, rather than stretching that out for an entire episode they will talk it out and focus instead on the underlying issues. We’re introduced to characters such as “the boss who wants to be everyone’s friend”, or “the controlling bitch girlfriend”, or “the love interest”, but as the series progresses you see how none of them are solely defined by these labels. You also see why they are this way. Why does the boss so desperately want people to like him? Why is the love interest’s girlfriend such a controlling bitch? Why does the love interest stay with his girlfriend even though she’s so unpleasant and demanding? And, most impressively, all of them change and grow in a way that suit the character rather than the longevity of the show. Or getting preachy.

Basically, if you’ve not caught this show I cannot recommend strongly enough that you do. It’s currently half way through its second season, and you won’t find many shows so that subvert television character tropes so well.