If I’ve not read something, its new to me. And if I’ve not even heard of it before and can experience it completely devoid of expectations? Well, that happens very rarely.
Everyone has a list of things they intend to read/watch in the future. Things we’ve been recommended or have heard talked about so much we know it’s got to at least be worth a go but haven’t quite yet had the chance to get around to. This is why I love Humble Bundle. It gives me the opportunity to pick up a bunch of books or graphic novels to load onto my Kindle for when I need something to read.
This allows me to try out writers I’ve had on my “must try” list. Recently I finally got around to trying Cory Doctrow’s work, for example. But it also gives me the opportunity to occasionally try out something completely new. Work I’ve never even heard of before. And this creates the opportunity for me to experience something both rare and magical: the once in a lifetime chance to read something brilliant without any expectations or preconceptions.
Locke & Key tells the story of the Locke family who, after losing their father in a horrific home invasion, move across country to their old family home; The Keyhouse. There they discover a collection of fantastical keys that, used with the correct doors, unlock extraordinary powers in themselves and the world around them. But soon they learn that behind one of those doors is a spirit both ancient and evil, and they discover the history of the keys, the story of their creation and the horrific events that caused their father to work so hard to hide them.
I think the best endorsement of this series is this; I gave up the writing time I get on my lunch breaks to keep reading. I needed to know what happened next. I’m incredibly lucky that all six volumes were included in the Humble Bundle so I could read them all in essentially one sitting. And when I finished, I went out and bought the slipcase collection (which is so pretty). This is one of those books that you need to reread straight away, to give yourself the chance to see just how well the story has been plotted out and foreshadowed. Lines and images that seem incidental on your first read are revealed to have so much more meaning the second time around. Hill is a writer who knows exactly where he is going and where he is leading you.
Locke & Key is a Lovecraftian story, but I want to qualify that statement slightly. The word “Lovecraftian” has become a little watered down in many people’s minds. Forgetting the mountains of – let’s be charitable and call it “fanfiction” – out there, there are professional, published, well respected writers out there who don’t quite get what Lovecraftian should mean. But Joe Hill gets it. He understands both the nature of the mythos, and that it comes second to character and plot.
Be warned, horrible things happen to people in this story. It opens with the Locke family suffering a home invasion involving murder and sexual assault, and the story largely focuses on the ways that the characters deal with this. It’s never forgotten or glossed over. A major theme is how our mistakes and bad decisions will haunt us and echo through the rest of our lives. Don’t expect everyone you meet to have a happy ending here.
Lovecraftian stories – and horror in general – are about fear of the unknown. And while a lot of that is embodied by “the monster” or “the powers we can’t comprehend”, there is also plenty of that in real life. Two stories run in parallel here; one about magic keys with a link to an ancient evil from the Plains of Leng, and the other about a family trying to deal with trauma and loss. About children trying to work out their place in the world without their father. About a mother coping with addiction and trying to keep herself together for her children. About that feeling of having no one there to lead us through.
I can’t really critique art in graphic novels. I’m afraid I’m stuck in the “I know what I like” category. But Rodriguez’s art fits in perfectly brilliantly with the writing, filled with character and background detail. Nothing throws me out of story like art that doesn’t fit the work. This one does. He works well with the writer, matching the style of the story and working bring the words to life. That seems good enough for me.
Locke & Key is definitely worth picking up if you’ve not yet discovered it. It ran between 2008 and 2013, so I’m assuming quite a few of you out there are scoffing at me right now for being so late to the party. But better late than never, and if I can direct any other poor souls who, like me, were living in ignorance, then I’ll be happy.